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奈雪影院

天使特警 剧场版第一部 觉醒篇
日本日语2007
  從人類的足跡踏出太陽系,開始在地球以外的行星殖民之後,宇宙間慢慢出現了許多獨立的行星國家。為了維持基本秩序,並避免星際間的摩擦惡化成宇宙戰爭,各獨立行星政府達成協議,成立了類似於聯合國的組織-「宇宙行星聯合」,以保障全人類的安全、自由與和平。當各星系在「宇宙行星聯合」有效的維持之下逐漸繁榮,隨著而來的就是日趨明顯的經濟交流。為維持經濟公平原則以確保各方面利益,宇宙行星聯合特別設立了GOTT (Galactic Organization of Trade and Tariffs銀河商業關稅機構),作為監督各行星國家間關稅與貿易交流,並查緝相關不法行為的執行機構。而GOTT中擁有各種特殊能力、兩人一組負責在最前線執法的特警,就稱為ES MEMBER。 星歷328年 (西元二十五世紀),人類建立第一個殖民行星三百多年後,正是ES member大活躍的時代。Kiddy Grade中的兩位女主角-性格開朗直腸子的艾克蕾爾,與外表青澀但成熟冷靜的琉美艾爾,正是GOTT中神秘的ES member特警之一。從她們嬌柔的外貌,完全無法想像艾克蕾爾是破壞力與速度超絕的怪力少女,而琉美艾爾則是身負能與超級電腦匹敵的情報處理能力、還能從指尖放出光線操作各式電子設備的活電腦。當他們接到任務出動之後,故事就在觀眾的面前拉開了序幕...

奈雪影院

总路线
其它其它1929
  Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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