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奈雪影院

海龟奇妙之旅
英国英语2009
  在春天的佛罗里达海滩上,诞生了一只小海龟(菲比 饰)。她生来就没有母亲照顾,也几乎没有防御能力,但却有一股强劲的求生意志。努力爬越过数十公尺远的沙滩后,小海龟终于纵身跃入了海里,自此展开一趟已持续了数百万年的生命之旅。  彷彿天生就装了罗盘和地图,小海龟果决地一路朝向目的地──非洲的亚速尔群岛前进。幼小又胆小的她,却只敢和小鱼群窝在海草里,她想藉着墨西哥湾洋流,载她前往梦幻的国度-大西洋。没想到这路上诸多坎坷:她曾因过度饥饿,误食了飘浮的塑料袋,也一度遭到加拿大巨浪卷走,她更遇见过凶猛的大青鲨,所幸大青鲨并没攻击她,两人并深信未来将会有重逢的一天。  在遨游了七千公里后,小海龟也渐渐长大了。六岁的她,不但如愿来到了亚速尔群岛海域,也认识了许多新朋友,更意外和已怀孕、变得温柔了许多的大青鲨重逢,使她的旅行变得更丰收。悠游了十多年后,小海龟却决定要重新游回她的出生地-佛罗里达海滩。总计费时25年游遍整个大西洋的她,为什么一定要回游呢?她又背负着什么样的神圣使命呢?而这趟总长有一万多公里的旅行,在最后的四千公里中,又会发生哪些不可思议的事呢?《在海里飞翔》将告诉你一个从不为人知、却充满了无限勇气和传奇的感人故事…

奈雪影院

保沃历险记
美国英语2008
  An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.  There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"  About the director  Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.

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