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奈雪影院

霹雳战元史之天竞鏖锋
台湾其它2012
  天命開章生滅斷,競雲濤影逐塵寰,  鏖兵萬禍封元史,鋒嘯神州破劫關。  聖魔烽火亙古蔓延,以太荒神決為始,聖護、魔禘共啟鏖戰,龠勝明巒、修羅鬼闕為立場與信念拋灑顱血,在海蟾尊運籌帷幄、葉小釵率古武族馳援、鬼如來內應配合之下,他化闡提開啟魔皇陵失敗,在喪失逆轉勝敗契機的同時,駭世之秘揭露,隱於征戰背後的黑手,早已悄然浮上檯面,厲族原生八種相繼現世,即將帶來一連串更為混亂的局面。  魔城血脈敗亡,槐破夢野心蘊釀成形,在騶山棋一運籌帷幄下,胤天皇朝聳立於神州大地,同時開疆拓土,與正道聯軍展開連番征伐,為此,三教仲裁憂患深應邀入世,帶領龠勝明巒與各方勢力,與胤天皇朝分庭抗禮,而原本由鬼覺神知授意作壁上觀的殊十二,逐步涉入世局,聖魔雙子,殺戮血脈,聯手鋪展皇途。  為避免戢武王血脈捲入聖魔征戰的漩渦,素還真居中斡旋,同時接收到征戰背後的真相,從鬼如來口中得到的驚人事實,引發一連串針對厲族的行動,一場闕闐關之會,得知妖后死訊,致使素還真與葉小釵聯合截殺海蟾尊,層層陰謀於焉揭露。  鬼藏元窟之內,聖魔元史再開第二章,魔皇、天之厲、天之佛,三者環環相扣,聖與魔的宿命,佛與厲的糾葛,深藏在無盡天峰與懺罪之牆的諸般恩怨,即將重寫一頁殺伐篇章。

奈雪影院

红花之歌
其它其它1919
  “Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.  The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.  As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.  “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

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