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奈雪影院

飞鱼秀
大陆国语2014
  “您现在收听的是Easy FM ——《飞鱼秀》!”  伴随着熟悉的开场白,中国国际广播电台的脱口秀栏目——《飞鱼秀》,开始了新一期的直播。  主持人小飞和喻舟乐此不疲,小飞言辞犀利,机智幽默;喻舟豁达随性,感性率真。每期《飞鱼秀》的话题是即兴得来的,内容包罗万象,从个人情感到生活小节再到职场心态,既不“严肃高雅”,也不“低俗八卦”。飞鱼引领听众品读喜怒哀乐,关心柴米油盐,用自嘲的态度审视生活琐事,以可乐的方式解读郁闷。发于事,归于心,既世俗又超脱——这是听众们热爱小飞和喻舟的理由。实则,《飞鱼秀》是面镜子,让听众看到了自己。  节目之外,《飞鱼秀》是个大舞台。数量庞大的短信互动听众是这档节目的另一群创作者,他们千差万别,却因为一种声音、一段电波凝聚在一起,诉说着自己的故事。他们是城市中产的一份子,他们是早间穿梭于城市的通勤一族。尽管在城市生活和职场打拼中悲欣交集,但他们善于自我调侃,懂得与生活斡旋,乐于听取新鲜观点,保持一颗开放的心。他们看似普通,却又那么与众不同。  当然,节目并不是生活的全部。飞鱼和“飞鱼人” 保留着这样一处精神栖居地,伴随着永不停息的社会潮流打拼前行……

奈雪影院

卧龙战警
美国英语1992
  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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